projects by:
Exhibition
 


CA Tarragona Centre d'Art

<b></b><br/>CA Tarragona Centre d'Art<br/><br/>editorial
<b>Diónysos 5</b><br/>Vinseum<br/><br/>editorial
<b></b><br/>Ca l'Isidret Edicions<br/><br/>editorial
<b>Dependencias</b><br/>Museo Nacional Centro de Arte Reina Sofía<br/><br/>catalog
<b>I Don't Like Music </b><br/>Galeria Espai Zer01<br/><br/>catalog
<b>Diónysos 2</b><br/>Vinseum<br/><br/>editorial
<b>La otra poesía</b><br/>Centre Cultural Blanquerna<br/><br/>poster
<b>Father and Mother</b><br/>Eulàlia Valldossera<br/><br/>catalog
<b></b><br/>CA Tarragona Centre d'Art<br/><br/>flyer
<b>Diónysos 7</b><br/>Vinseum<br/><br/>editorial

1977. Ja sóm aquí

Generalitat de Catalunya

Design of graphic applications for an exhibition held at Barcelona’s Palau Robert to mark the 30th anniversary of the return from exile of Catalan President Josep Tarradellas. The visual code used plays with the typographic diversity and impact of the 70s, accompanied by patterns that were in fashion at the time.

Laus Bronze
<b>National Design Prizes </b><br/>BCD Foundation<br/><br/>catalog
<b></b><br/>BCD Foundation<br/><br/>brochure
<b>Sant Sadurní d'Anoia</b><br/>Edicions i propostes Culturals Andana<br/><br/>editorial
<b>Apropa't a la ciència</b><br/>Generalitat de Catalunya<br/><br/>brochure
<b>PRI</b><br/>Generalitat de Catalunya<br/><br/>typography
<b>Guide to cultural events</b><br/>Vilafranca del Penedès Council<br/><br/>brochure
<b>Vilafranca fa per tu</b><br/>Vilafranca del Penedès Council<br/><br/>identity
<b>Sant Cugat Sesgarrigues</b><br/>Edicions i propostes Culturals Andana<br/><br/>editorial
<b>National Design Prizes </b><br/>BCD Foundation<br/><br/>catalog
<b>Municipalities Collection</b><br/>Edicions i propostes Culturals Andana<br/><br/>editorial

A Floating World

Fundació "la Caixa"

For the exhibition our goal was to be as low-profile as possible in relation to the photographs exhibited while taking a bold visual approach in relation to the space. We created points of colour to separate the sections of the exhibition and organise the information displayed. All the information presented on the same plane as the photographs was in grey text on a white background; we only used colour on the panels set perpendicular to the walls. In terms of the typography, information is presented in four formats: wall labels (A5 size), quotations (grey text on the wall surface), texts for each section of the exhibition (methacrylate panels), and volumetric typography (used to create letters that project from the wall surface to varying degrees). Overall, the aim was to heighten the whiteness and luminosity in order to create a sense of lightness, order, and respect for the work.

<b>Diónysos 1</b><br/>Vinseum<br/><br/>editorial
<b>Diónysos 3</b><br/>Vinseum<br/><br/>editorial
<b>Diónysos 5</b><br/>Vinseum<br/><br/>editorial
<b>Diónysos 7</b><br/>Vinseum<br/><br/>editorial
<b>La otra poesía</b><br/>Centre Cultural Blanquerna<br/><br/>poster
<b>Talent Latent</b><br/>Generalitat de Catalunya<br/><br/>exhibition
<b>Diónysos 8.9</b><br/>Vinseum<br/><br/>editorial
<b>A Floating World</b><br/>Fundació "la Caixa"<br/><br/>catalog
<b></b><br/>Museu de Valls<br/><br/>signage
<b>Festa Major</b><br/>fpmWEB<br/><br/>app

Apropa't a la ciència

Generalitat de Catalunya

Within the framework of this complete graphic design project, we created everything from a font consistent with the exhibition design to the last communication element. The key graphic elements are the typography, pure colours, the use of pixels in the treatment of photos, and rationality of form. The graphic components are combined to create a logical flow of communication and serve as building blocks for the design of many different pieces. The modular font is constructed out of pieces, like the tubes that lead visitors around the exhibition. The basis for its design is the skeleton of a cursive font, a distinctive feature that makes the font resemble handwriting. Though we were conscious of the risk involved in working with a non-standard font, we felt it was essential to reflect the exhibition’s focus on research and innovation.

<b>National Design Prizes </b><br/>BCD Foundation<br/><br/>poster
<b>3,36 m. of BCD</b><br/>BCD Foundation<br/><br/>brochure
<b></b><br/>BCD Foundation<br/><br/>brochure
<b>Guide to cultural events</b><br/>Vilafranca del Penedès Council<br/><br/>brochure
<b>Sant Sadurní d'Anoia</b><br/>Edicions i propostes Culturals Andana<br/><br/>editorial
<b>Vilafranca fa per tu</b><br/>Vilafranca del Penedès Council<br/><br/>identity
<b>Sant Cugat Sesgarrigues</b><br/>Edicions i propostes Culturals Andana<br/><br/>editorial
<b>Apropa't a la ciència</b><br/>Generalitat de Catalunya<br/><br/>brochure
<b>PRI</b><br/>Generalitat de Catalunya<br/><br/>typography

Lluís Cercós

Vilafranca del Penedès Council

Architecture and graphics for a retrospective on the work of Lluís Cercós. The space re-creates the structure of the flat where the deceased painter lived. Graphic elements are painted directly on the bare plasterboard and relate harmoniously to the work exhibited.

<b>La otra poesía</b><br/>Centre Cultural Blanquerna<br/><br/>poster
<b>A Floating World</b><br/>Fundació "la Caixa"<br/><br/>exhibition
<b></b><br/>CA Tarragona Centre d'Art<br/><br/>identity
<b>Diónysos 5</b><br/>Vinseum<br/><br/>editorial
<b></b><br/>Museu de Valls<br/><br/>signage
<b></b><br/>Museu de Valls<br/><br/>brochure
<b></b><br/>CA Tarragona Centre d'Art<br/><br/>exhibition
<b>Diónysos 8.9</b><br/>Vinseum<br/><br/>editorial
<b>Dependencias</b><br/>Museo Nacional Centro de Arte Reina Sofía<br/><br/>catalog

National Design Prizes

BCD Foundation

The exhibition was intended to showcase the culture of design and contrast it with the ‘design’ culture propagated by the media. Communication is based on coloured cubes (like the architecture of the exhibition) printed over press cuttings featuring ‘design’ news. The space is divided into three areas (designers, users and companies), each identified by a particular colour range. The colours are the same ones used to organise information in the exhibition catalogue.

Laus Gold
<b>National Design Prizes </b><br/>BCD Foundation<br/><br/>poster
<b>3,36 m. of BCD</b><br/>BCD Foundation<br/><br/>brochure
<b></b><br/>BCD Foundation<br/><br/>brochure
<b>Guide to cultural events</b><br/>Vilafranca del Penedès Council<br/><br/>brochure
<b>National Design Prizes </b><br/>BCD Foundation<br/><br/>catalog
<b>Municipalities Collection</b><br/>Edicions i propostes Culturals Andana<br/><br/>editorial
<b>Apropa't a la ciència</b><br/>Generalitat de Catalunya<br/><br/>exhibition
<b>Sant Cugat Sesgarrigues</b><br/>Edicions i propostes Culturals Andana<br/><br/>editorial
<b>Awards and grants </b><br/>Vinseum<br/><br/>identity
<b>1977. Ja sóm aquí</b><br/>Generalitat de Catalunya<br/><br/>editorial
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BILDI GRAFIKS
 


PUBLICATIONS
Best of European Design and Advertising 2004 ADC*E // Best of European Design and Advertising 2005 ADC*E // Best of European Design and Advertising 2006 ADC*E // Best of European Design and Advertising 2008 ADC*E // Best of European Design and Advertising 2009 ADC*E // Editorial / Made in Spain Index Book // esc ¡entra en el diseño español! Actar // esc -enter spanish creativity- Actar // étapes: diseño y cultura visual, 12 Gustavo Gili // Inout & Friends nE yOUNG // International Yearbook Communication Design 2009/2010 Red Dot Edition // International Yearbook Communication Design 2010/2011 Red Dot Edition // Laus 01 Actar // Laus 02 Actar // Laus 03 Actar // Laus 04 Actar // Laus 05 Actar // Laus 06 Actar // Laus 07 Actar // Laus 08 Actar // Laus 09 Actar // Laus 2010 Actar // Logos made in Spain Index Book // Select D Graphic Design from Spain Index Book // Select E Graphic Design from Spain Index Book // Select G Graphic Design from Spain Index Book // Select H Graphic Design from Spain Index Book // Select I Graphic Design from Spain Index Book // Selected A Graphic Design from Europe Index Book //




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